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DAVID HAMMONS

THE ART AUDIENCE IS THE WORST AUDIENCE IN THE WORLD. IT’S OVERLY EDUCATED, IT’S CONSERVATIVE, IT’S OUT TO CRITICIZE NOT TO UNDERSTAND, AND IT NEVER HAS ANY FUN. WHY SHOULD I SPEND MY TIME PLAYING TO THAT AUDIENCE?

DAVID HAMMONS
THE ART AUDIENCE IS THE WORST AUDIENCE IN THE WORLD. IT’S OVERLY EDUCATED, IT’S CONSERVATIVE, IT’S OUT TO CRITICIZE NOT TO UNDERSTAND, AND IT NEVER HAS ANY FUN. WHY SHOULD I SPEND MY TIME PLAYING TO THAT AUDIENCE?

gentilfarfalletta:

sarahofthenorthresearch:

Andrei Roiter

All, 2012, oil on canvas, 65 x 75 cm

gentilfarfalletta:

sarahofthenorthresearch:

Andrei Roiter

All, 2012, oil on canvas, 65 x 75 cm

sculpture-center:

Chryssa (1933-2013)

Ampersand III (1965). Neon tubing and plexiglass. 29 in. x 13 3/4 in. x 11 3/4 in.

sculpture-center:

Chryssa (1933-2013)
Ampersand III (1965). Neon tubing and plexiglass. 29 in. x 13 3/4 in. x 11 3/4 in.

cavetocanvas:

Isa Genzken:

Nofretete, 2012

7 Nefertiti plaster busts with glasses on wooden base, wooden plinths, belt, colorr photographs in aluminum frames

184 x 50.5 x 40 cm (72 1/2 x 19 7/8 x 15 3/4 in) each, total dimensions variable

cavetocanvas:

Isa Genzken:
Nofretete, 2012
7 Nefertiti plaster busts with glasses on wooden base, wooden plinths, belt, colorr photographs in aluminum frames
184 x 50.5 x 40 cm (72 1/2 x 19 7/8 x 15 3/4 in) each, total dimensions variable